SOLO films

Tessa-Marie Luminati

I originally struggled to formulate a video that would encapsulate the meaning and images I found in the words “Universe” and “Panorama”. It was the struggle of trying to express that I found intriguing and became the basis of my video.

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Alana Hoggart

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Joshinder Kaur Chaggar

The possibilities of creating within the current limits feel limitless. The words aliquot and fraction, trigger thoughts of simultaneously being the micro and macro. I feel encompassed in a duality, of small and big. The darkness, the torch light, the phone camera – add a layer to my story that I can never predict.

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Kathleen Doyle

In my second video I wished to go further in mashing together human behavior and what I imagined of the Tuna world. I imagined how Tuna would entertain itself and what would inspire and delight Tuna from it’s underworld environment. I also picked up words that I heard from another member’s first Tuna video to provide the rhythmic beat for the dance. I had the vision of all group members joining this cabaret entertainment.

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Lorna Mcleod

The sense of chaos overtakes me, there’s no escape. A stolen moment on my own. The enormity of what is happening around me is hard to break away from. Much like being caught up in a huge fishing net, this shouldn’t be happening, yet, it is. I’m caught; a fight I won’t win.

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Rodrigo Calderón

I was amazed with the possibilities a cellphone camera offered. I wanted to combine the visual imagery of my settings with the sonority of the phonemes involving the words ‘debris’ and ‘wreckage’. In my search I found a common denominator katastrofí.

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Matthew Crosby

It’s hard to imagine what a Tuna thinks. I got myself in a state trying I assure you. Fish don’t have expressions like cats so we find it hard to anthropomorphise… I found the lens from a slide projector in a dumpster outside Melbourne Uni about twenty years ago.